That aside, I was speaking to someone the other day about swords. I do have some--3 historically accurate reproductions, 1 sharp, and 2 dull. A good sword was a significant investment, one a soldier's life depended on. The scabbard he used to carry it was as decorated and individualized as he was inclined--and could afford--to make it.
Having the swords is fine and dandy, but of what use are swords that you can't carry? Why go to the trouble of getting an historically-accurate reproduction of a particular-era sword if one is then going to mock it by sliding it precariously beneath the same belt holding up one's skinny jeans?
So, not being very skilled at crafts, the hunt began to find a scabbard that was as least reasonably historical in style and craftsmanship and which would be durable enough to function beyond merely hanging on a wall, as well as protect my swords.
Enter a gentleman by the name of Russ Ellis, who operates an outfit called Triton Scabbard Works. I told Russ what I had, along with a vague idea of what I was looking for. He offered me options, both in style and price, and I wound up with two custom-made, hand-crafted scabbards. For anyone interested in seeing additional examples of Russ' work, visit his website.
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| Black Leather Scabbard Over Wooden core |
There is a decorative medallion below the hilt that on most swords of the era would most likely have been made of pewter, but wealthy men would have medallions of silver. Highlighting this medallion are two strands of braided silver wire. More elaborate scabbards would have had additional detail in the leatherwork itself--braiding or embossed designs.
The remaining decorative work involves the buckle, and the belt cap, which again would be pewter, silver, or possibly brass.
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