My daughter is a choral singer, and in her high school,
the choir puts on and performs in a madrigal dinner every year around
Christmas. She also sings in the
Indianapolis Children’s Choir, and this year, they are going to be singing some
Christmas music in Middle English. I
looked at the music, and this made me wonder about music in the Middle
Ages. How did it morph from the
initially simple, liturgical vocal music to the complexity of Bach and others?
In Western European culture in the early Middle Ages,
most “formal” music was centered on the Church, and took the form of Gregorian
Chants, which are believed by some to have been codified by Pope Gregory I at
the end of the 7th century.
This example of Gregorian chanting was recorded in 1930.
Gregorian chants are still sung today, often as part of relaxation
music, and usually have some type of minimal accompaniment. Relaxation recordings may also have such
chants superimposed over nature sounds.
Renaissance madrigal music, which took its name but not its style from the
Italian Trecento Madrigal, was not established until the early 16th
century. This music was again typically unaccompanied
vocals, featuring anywhere from two to six voices. Later, in the early part of the 17th
century, madrigal music began to merge with opera and was eventually replaced
with the operatic aria. This madrigal piece is from the early 17th
century: Sing We at Pleasure.
By the 17th century, more musical instruments had
been developed, such as the cornetto/trumpet, the lute, the violin (developed
from an earlier, larger instrument called the viol), the harpsichord, and the flute. The development of these instruments made
possible the composition of more complex music.
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